Way With Worlds: Why Worldbuild?
This is a segment of an article written by Steven Savage from his blog. Worldbuilding is really important to us in roleplaying, especially if you’re the one who created the game’s world in the first place, but not just that, a world can continue to grow and change of course over the months and years as you tell more stories within it. Here’s Steven’s article where he asks Why Worldbuild?:
A Definition Of Worldbuilding
First of all, let’s define worldbuilding here for the sake of discussion and possibly argument. I consider worldbuilding to be the following:
- Creating a stable setting . . .
- . . . where stories take place in . . .
- . . . that is consistent . . .
- . . . and works by its rules.
In short, worldbuilding in a way creates something independent of a story (be that story in a comic, novel, game, etc.). It is the setting the story occurs in and has its own rules, principles, and so forth. In turn the story abides by these rules and doesn’t violate them.
Now most worldbuilding is a continuity between “Its Own Rules” and Whatever “I Want At The Time” where continuities may be altered by whim, for marketing purpose, to update them, and so forth. Mostly when people talk worldbuilding they skew towards an inviolate “Its Own Rules” setting, but I think this rarely reaches 100%, such is the nature of imagination. However, the aspiration towards a consistent world is important because of the benefits . . .
The Benefits of Worldbuilding
So what are the benefits of world building. The ones I’ve found are . . .
A Relatable Setting: A well-designed world that has rules and locations and such that are stable is one people can identify with and enjoy (unless of course they’re not interested in your subject matter). There is the thrill of familiarity, the recognition that histories and principles and side comments are indeed valid, and a strong sense of place. A world that feels real is one that is enjoyed, explored, and remembered.
Preventing Errors: It is extremely easy to start running with an idea and then forget all sorts of details – and quickly make your writing unrelatable, contrived, or incomprehensible. By thinking about (and recording) your world’s information you write a better tale, avoid plot holes, and make a better story.
Find Inspiration: There’s something about a world design that, past a certain critical point, it seems to inspire you to do more. An obscure city mentioned in passing could be explored as part of a new chapter or an entire new tale. Answering unanswered questions can move your narrative forward or even surprise you with new story directions. Just looking over the world you’ve designed may let you free-associate new and inspiring ideas for your stories.
A Bulwark Against Bad Writing: When you know your world you’re less likely to engage in contrivance or doing half-baked stories – because the world itself drives you on, fills in the blanks, and explain what’s going on.
When you know that world, the answers are in its constructions, and you avoid the temptation to just slam on a few plot elements.
Avoiding Favoritism: When you take an active hand in worldbuilding, the world’s continuity becomes a large part of your writing This is another bulwark against bad writing – you’ll be less likely to play favorites with a character (the infamous Mary Sue/Gary stu comes to mine), plotline, etc. because you’ll be thinking about the setting and its consistency, not your own biases (well, as much). If for some reason you decide to consciously include something that might break continuity (say not killing a characters as exploring their backstory would be fascinating) then working out how your chosen path works into the world inspires better writing because you have to work within the framework you created.
A Different Form Of Writing: Writing fiction, or a game setting, etc. is one thing. Writing a world up is quite another; and it can be great practice for a different form of writing – that which is more archival and documentarian. Worldbuilding and recording the information requires makes you think about what to write down, how, and so forth. It’s essentially “non fiction writing” about a fictional universe, and can be a useful skill.
An Additional Piece Of Work: I adore books on fictional settings, dictionaries of characters, maps of imaginary realms, and so forth. If the world you build becomes famous – or if you just want to release some work for free – release the documentation of your world.
It may be fun, it may inspire others . . . and there’s the chance it may make you some money if your fictional works become popular.
A Contract With Readers: Worldbuilding is a kind of social contract between writer and reader. The writer, by working on a strong continuity, imbues their work with meaning because they are saying there is an element of reality here. The reader, in turn, can trust the author to make a consistent, involving tale because the setting has that element of being thought through. If you’ve ever seen people upset with a bad bit of writing, illogical plot twist, and so forth, you know how strongly people feel about this social contract.
Its Time To Build
As you can see there’s quite a few benefits to worldbuilding; I’m a big advocate of it. I find a well-build setting makes more satisfying work, inspires me, and increases the depth of enjoyment. I find writing and creating one inspires me, makes me works more believable, and provides many advantages.
Steven Savage is a Geek 2.0 writer, speaker, blogger, and job coach. He blogs on careers and community at www.musehack.com, publishes books on career and culture at www.informotron.com, and does a site of creative tools at www.seventhsanctum.com. He can be reached at www.stevensavage.com.